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Feature 4: Name your transcoded clips with scene and take names Take a look at the KnowledgeBase article here to learn more about the details including re-sync and the locking of audio tracks. Therefore, easily finding the right offset and taking it over to all the clips in a bin saves you a lot of time. Similar offsets between audio and video tracks often appear across an entire card. But sometimes it’s not just one clip that’s affected by an offset. The frame-wise slipping of audio clips offers an easy way for audio sync adjustment after a synchronisation by timecode. Feature 3: Fix audio sync offsets across entire bins The KnowledgeBase helps you with this article to learn more about the details of the audio sync feature. Watch a dedicated tutorial about the automatic audio sync to understand the context of this tip: Usually the metadata was already entered by the audio operator, so you can save some time by just taking over this information to the video clips. The automatic audio sync wizard allows to take over slate information from the metadata of broadcast wave audio files. Feature 2: Use slate information from audio clips

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A full technical description of the feature can be found in our KnowledgeBase article about the Transfer of Project Settings. Furthermore, a default project settings template can be chosen in the preferences. Beyond these functionalities that were highlighted in the video, there are additional settings that can be transferred. This way you can avoid setting up everything from scratch when starting a new project.

Silverstack Lab allows to export and import project settings, such as the library folder structure, copy job templates and the table view presets. Browse sequence-based and timecode-oriented with a unique info-timeline, open movie-typical file types such as DPX, Cineon, TIF in practically any resolution (NTSC/PAL, HD, 2k, 4k, 6k), change the SMPTE time codes and frame rates in headers of entire DPX image sequences, extract color-channels and inspect color with a selective RGB histogram, zoom and pan to see every single pixel even on smaller screens, apply Gamma- or LUT-based color linearization for logarithmic material with custom presets, apply primary grading (basic RGB-grading capabilities for both linear and logarithmic color spaces) and playback previews of image sequences on any machine using built-in QuickTime-based player.Įxport QuickTime movies with various settings such as frame rate, resolution, codec and quality of your movie, choose various textual burn-ins such as time codes in different fps, file and folder names or custom metadata, zoom/crop your images and apply black bars to fit different aspect ratios, apply primary grades and linearization filters to your movie.Here’s what we have collected around the 7 feature tips: Feature 1: Prepare the shoot with your personal project settings file

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Pomfort SilverStack provides lightweight but professional handling of image sequences including extensive features for viewing, managing and exporting of image files including DPX and Cineon formats.

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